Perylene Scarlet is medium staining and semi-tranparent. It creates vivid, dark washes with a clean, vivid orange hue. This sedimentary pigment offers an additional health plus, […]
A deep, transparent orange. In a wash, it’s a light peach tint and transparent at full strength, it moves to a deep, red-orange lipstick color with […]
Cadmium Red Medium Hue – A true stop sign red, an essential color for any palette. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new […]
This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its cousins the Perylenes, […]
Perylene Red is medium staining and semi-tranparent. It creates vivid, dark washes with a clean brilliant red-orange. This sedimentary pigment offers an additional health plus, as […]
A stop sign red, this red diffuses well with water – a treat when painting wet into wet or damp passages. The fussy edges this technique […]
A deep, rich red, this lightfast pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy edges this technique […]
A true, pure medium-staining red. Drop Naples Yellow into Quinacridone Red and create a peach, or paint dry brushstrokes onto apples. Highly durable and extremely transparent, […]
Warm violet-red, this slightly granular, super-staining vat pigment is one of DANIEL SMITH’s greatest creations. Anthraquinoid Red is bold and dashing. Deep and cool enough […]
Mayan Red is both fascinating and distinctive. The range of color it produces is truly remarkable, from a natural strong red, to a clear intense rose, […]
Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when applied in strength and kept from the direct sunlight will […]
Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson character and versatility. Like classic Alizarin, it […]
Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and landscapes. Used wet into wet, it creates a soft, transparent glow, without granulation. […]
Darker and more staining than Alizarin Crimson, and vastly superior in permanence, Carmine is also redder. This staining pigment, rich and intense, will retain its luminosity […]
DANIEL SMITH Rose Madder Permanent is a modern, lightfast formulation of the traditional color giving artists a rose watercolor with similar properties. This warm, rose pink […]
The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation producing some […]
Interference Blue is a transparent and glimmering cool blue when glazed over dark colors or painted directly onto black paper, and when painted on white paper, […]
Potter’s Pink is the lightfast pink that was used in English watercolor painting of the 18th and 19th centuries. Also used in ceramic glazes, it is […]
Quinacridone Pink is a precise, perfect low-staining pink. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Quinacridone Pink can be […]
Quinacridone Rose, with its red-violet color, lends itself to fabulous purples. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Quinacridone […]
DANIEL SMITH Quinacridone Lilac lies between Quinacridone Rose and Quinacridone Magenta within the DANIEL SMITH Quinacridone color family. This new, vivid pink with the slightest blue […]
This deep red violet disperses evenly and moves from deep darks to clear, glowing washes. Like all Quinacridone, it is an extremely lightfast organic pigment. In […]
Living in a luxurious state between magenta and fuchsia, Pyrrol Crimson is a delicious red just begging to find its way into your rose garden. Moderately […]
A necessary watercolor for painters who embrace color – a brilliant, slightly violet, red. Never bashful, Quinacridone Fuchsia remains strong even when mixed with water. Your […]