For cool, clean staining shadows and reflected light on windows, super staining, super transparent Phthalo Blue is a popular pure chroma organic pigment. Mix with Hansa […]
A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy – just a daub of paint can color […]
Beautiful on its own, and especially so when mixed with a transparent pigment, this sky blue inorganic pigment is granular and medium-light in value. Highly permanent […]
Extraordinarily beautiful color for painting turquoise blue skies, a must have for sunny Mediterranean skies and Tropical seas! Mixing with this pigment helps make bright, transparent […]
This DANIEL SMITH exclusive is a favorite of artists. It moves from a deep dark turquoise to a thin film of robin’s egg blue in a […]
Phthalo Green Blue Shade is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely lightfast, most artists find […]
This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa Yellow Light used in this formulation gives […]
Phthalo Green Yellow Shade is a bottle green. In concentrated to diluted states, it is transparent and super-staining. Organic and absolutely lightfast, most artists find this […]
DANIEL SMITH’s Sap Green is wonderful – the hue we love with the permanency we need. This non-fugitive formulation creates deep forest shadow-green mixed with French […]
We bring you an unusually beautiful Serpentine pigment from the land down under. This Australian green-color serpentine is of a variety called Stichtite. A soft stone […]
An artist’s favorite, this exciting medium to high staining green blends French Ultramarine with Quinacridone Gold. The inorganic, sedimentary French Ultramarine settles and granulates while the […]
Amazingly compatible with earth pigments and Quinacridones alike, this is a warm mossy green. It is richer and warmer than the original brighter Green Gold, and […]
Nickel Azo Yellow in mass tone resembles Yellow Ochre, and when thinned in washes, becomes a brillant, glowing yellow. This transparent yellow is perfect for Autumn […]
Our Yellow Ochre works especially well with other transparent pigments. Try mixing transparent, medium-tinting Yellow Ochre with equally transparent, medium-tinting Viridian. Somewhat neutral, Yellow Ochre reacts […]
Used since prehistoric times, an extremely permanent inorganic earth pigment of low intensity but medium-high tinting strength. Balance the transparent intensity of Quinacridone Gold, Burnt Orange […]
Everyone’s favorite, Quinacridone Gold replaces Raw Sienna and adds versatility with its glazing and mixing capabilities. It is an excellent low-staining golden yellow pigment that can […]
Our DANIEL SMITH Quinacridone Burnt Orange is a brilliant, smoldering orange/sienna color. Add to French Ultramarine and create dramatic sky washes with a gray-blue mix that […]
The ultimate low-staining glazing pigment, finer than any Burnt Sienna. For the traditional and purist watercolor painter, Quinacridone Sienna divides yellows from reds, falling on the […]
This slightly sedimentary, rich dark, red-brown could lighten, brighten and eliminate mud browns in all your paintings. Use with Quinacridone Coral for branch and blossom paintings. […]
Ground from a scarlet-streaked mineral from the hills of Italy, Piemontite Genuine is a rich, versatile PrimaTek watercolor. A deep ruddy violet is the darkest value […]
Hematite is ground from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier iron particles settle, creating bold granulation, in a thin […]
This transparent to semi-transparent, rich earth pigment is a traditional palette staple for many landscape painters. Our Burnt Sienna combines with other hues without a loss […]
This rich dark brown earth pigment is popular with artists due to its semi- or semi-opaque qualities. It is lightfast, low-staining, and can readily be lifted […]
Exploration of this color reveals some surprising pigment properties beyond its obvious opacity. First, Graphite Gray disperses well and quickly in water so floating the dense […]