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DANIEL SMITH’s universe of pigments is a long quest for me as an artist. I love them all – I can’t resist some of their granulating pigments because they are just gorgeous. I’ve even had some shift in my color preferences. For example, I never liked violets at all … then I met Carbazole Violet, tried it and I was completely sold. All the colors I use are beautiful and sometimes I even prefer the exact pigment, like Pyrrol Scarlet (that we call “beautiful red” with one of my students) or Phthalos. —Mikhail Starchenko
Oro rojo australiano
Violeta de carbazol
Rojo escarlata intenso
Amarillo Hansa Profundo
Índigo
Amarillo azoico de níquel
Gris de Payne
Azul ftalo (tono verde)
Azul turquesa ftalocianina
Azul de Prusia
Verde de Prusia
Naranja de pirrol
Escarlata de pirrol
Rojo de quinacridona
Siena de quinacridona
Verde savia
Turquesa ultramar
Van Dyck Brown



