Condividere:
“Like many watercolor artists who have been painting for years, over time I have honed my watercolor palette to a few “go to” pigments with qualities that seem to work for the way I wish to paint.
But for the most part, I just purchased whatever good quality pigments were available. So when I began discussing with DANIEL SMITH the idea of recreating my palette with their own beautiful pigments, I was literally amazed to discover how many improvements could be made.
I tend to work very wet and emphasize the need for transparency and the desire to see the sediment of the pigments settle in the more textured papers I prefer.
But in exploring my new pigments from DANIEL SMITH, I discovered that not only could I achieve the granularity, the clarity, and the transparency toward which I gravitate, but could also realize a significant improvement in these qualities as well in light-fastness, tonal consistency and intensity of tone.
In short, DANIEL SMITH pigments are a revelation and a complete joy to use. They mix beautifully, hold their tone and intensity like none other, and are amazingly consistent — relieving any concern about color or tonal shifts from one use to the next.”

Terra di Siena bruciata
Rosso cadmio, tonalità media
Tonalità di luce giallo cadmio
Blu cobalto
Blu cobalto turchese
Ocra francese
Marina francese ultramarina
Viola imperiale
Giada autentica
Lavanda
Violetta Lunare
Tonalità blu manganese
New Gamboge
Rosso Alizarina Permanente
Arancione permanente
Terra d'ombra grezza
serpentino autentico



