L'inchiostro di noce è un inchiostro a base d'acqua finemente pigmentato, ricavato dai gusci di noce, ideale per il disegno, la pittura e la calligrafia. La tonalità seppia è resistente allo sbiadimento e si lavora come un acquerello trasparente, con ottime capacità di stratificazione e di rimozione del colore nelle velature più scure. Resistente alla luce, non acido e a bassa macchiatura, l'inchiostro di noce aggiunge inoltre calore e un tocco storico quando si dipinge sopra schizzi realizzati con inchiostro nero permanente.
I’m doing a little Inchiostro di noce DANIEL SMITH deep dive to document all the ways I love it. I originally picked up walnut ink because it reminded me of my Granny, and it has become the art supply I use most.
Walnut ink is a beautiful brown with a perfect personality. The closest watercolor color match is Enviro-friendly Brown Oxide. The closest watercolor character match, transparent and non-granulating, in the brown family is Marrone permanente. Sure, I can mix to match, but any match has its own chemistry and, therefore, its own distinct behavior in water.
I use walnut ink straight from the bottle, let it sit out to concentrate and darken, add water to dilute it, and even let it dry and grind it up to toss tiny particles into wet watercolor for texture.
Mark making, sketching, sketch and wash, mixing with watercolor, even mixing with gouache.
Walnut ink is my close-to-the-heart go-to.
I keep coming back to DANIEL SMITH Walnut Ink.
For another great article about Loel’s use of Walnut Ink, click QUI!
Loel Kathmann is a self-taught artist living in Washington State. She is known for creating ethereal layers—especially in her transparent florals—her use of rich textures, and her love of Walnut Ink.
Loel’s heart lies in telling stories through color and abstract forms. For example, her Pacific Northwest raindrop series was born from the idea that beauty is present—even during and after loss. Her watercolor on suminagashi pieces are about capturing an irreproducible moment in time and embracing that moment through color. Loel’s favorite subject is abstract florals, a focus inspired by the lessons flowers teach: they embrace the moment, fragile and transient; some wisely curl up at night to rest; others follow the light throughout the day. Her favorite floral trait is that many plants bloom under stress. She loves this idea of survival hinting at desperation, so she infuses many of her florals with a delicate balance of struggle and strength.
A scientist by training, Loel’s technical background is reflected in her work through a deep appreciation for pigment chemistry, an affinity for experimental techniques, and close attention to detail. She finds calm with a brush in her hand, fulfillment in feeding her craving to learn, and joy in connecting with artists who share her watercolor passion.
