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When DANIEL SMITH launched its watercolor line highlighting the properties of mono-pigments, that gave painters better opportunities for getting clearer and brighter color mixes. During the same period, I added more choices to my personal palette, a palette that I had developed in former years. For a long time, I had preferred painting with restricted palettes. Continuing to limit myself to a seven or eight color range in a single painting, l started developing a modular primary triad color system, which led me to the selection of a full, yet personal spectrum of paints organized in triads. The special clarity and vibrancy of DANIEL SMITH’s broad range of Extra Fine Watercolors did the rest. I had finally found a way of organizing my favourite kind of colors (from granulating to earthy to blues, etc.) in a rich lineup of triads exquisitely fitting my beloved plein air Italian landscape views. My updated palette on this Dot Card shows the main primary triads I have been using so far. —Raffaele Ciccaleni
Aureolin – Cobalt Yellow
Bronzite Genuine
Cobalt Blue
Deep Scarlet
French Ultramarine
Goethite (Brown Ochre)
Hematite Genuine
Indanthrone Blue
Jadeite Genuine
Lunar Black
Lunar Earth
Monte Amiata Natural Sienna
Nickel Azo Yellow
Perylene Maroon
Phthalo Blue (Red Shade)
Quinacridone Gold
Quinacridone Rose