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A warm, semi-transparent, leaning to an opaque pigment. Historically, this black was derived from burnt ivory from now-endangered species, thankfully, this is no longer the practice. An Ivory Black touched with yellow creates a blackened green excellent for backlit foliage. Think sumi and hand-painted stone lithographs. Can be used to darken transparent pigment.
Starting with 10 parts water to 1 part paint (by weight) in the palette, our chemist paints the top half of the swatch uniformly with a round brush to show the paint’s color and characteristics. For the bottom half, he dips a ¾” flat brush into the paint well just once, then applies the color in stripes until the brush is dry, which shows the color’s tone and behavior through a wash. We use these swatches for color matching during the manufacturing process.