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“Like many watercolor artists who have been painting for years, over time I have honed my watercolor palette to a few “go to” pigments with qualities that seem to work for the way I wish to paint.
But for the most part, I just purchased whatever good quality pigments were available. So when I began discussing with DANIEL SMITH the idea of recreating my palette with their own beautiful pigments, I was literally amazed to discover how many improvements could be made.
I tend to work very wet and emphasize the need for transparency and the desire to see the sediment of the pigments settle in the more textured papers I prefer.
But in exploring my new pigments from DANIEL SMITH, I discovered that not only could I achieve the granularity, the clarity, and the transparency toward which I gravitate, but could also realize a significant improvement in these qualities as well in light-fastness, tonal consistency and intensity of tone.
In short, DANIEL SMITH pigments are a revelation and a complete joy to use. They mix beautifully, hold their tone and intensity like none other, and are amazingly consistent — relieving any concern about color or tonal shifts from one use to the next.”

Terre de Sienne brûlée
Rouge de cadmium teinte moyenne
Jaune cadmium clair
Bleu cobalt
Bleu sarcelle cobalt
Ocre française
Outremer français
Violet impérial
Jadeite authentique
Lavande
Lunar Violet
Teinte bleue manganèse
Nouveau Gamboge
Alizarine cramoisie permanente
Orange permanent
Terre d'ombre brute
Serpentine authentique



