What if you could have the velvety opacity of gouache with the versatility to create everything from delicate washes to bold, expressive layers? What could you create with that kind of freedom?

Color mix by Marlene Rivero

Gouache has a distinctive character that sets it apart from other painting mediums. Known for its rich, velvety opaque finish, it delivers bold, beautifully saturated color while still offering the fluidity and versatility artists appreciate in watercolor. With the right amount of water, gouache can move effortlessly from soft, transparent washes to creamy, opaque passages—giving artists the freedom to explore both subtle and expressive ways of painting.

We asked Brand Ambassadors Fernando de Paiva and Marlene Rivero to share their insights on the versatility of DANIEL SMITH Gouache.

Gouache, Watercolor, and Mixed Media Approaches

Artwork by Marlene Rivero

Artwork by Marlene Rivero

  • Indian Yellow GOUACHE

    Gouache giallo indiano

    Disponibile in: tubetti da 15 ml

    Pigmento: PY 97, PY 150 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

  • Wisteria GOUACHE

    Glicine, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PW 6, PR 122 | Serie: 2
    Resistenza alla luce: Molto bene
    Colorazione: Non macchiante
    Trasparenza: Opaco

  • Spring Green GOUACHE

    Verde primavera, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PPY 53, PG 36, PY 151 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

  • Permanent Green Light GOUACHE

    Gouache a luce verde permanente

    Disponibile in: tubetti da 15 ml

    Pigmento: PY 3, PG 7 | Serie: 1
    Resistenza alla luce: Eccellente
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

Building a Painting on White vs. Black Paper

When working traditionally with a white paper background, I leverage the blending versatility provided by the opacity of gouache. By utilizing a dynamic color mixture with fluid motion alongside loose brushstrokes, I can rapidly build elements either from dark to light or from light to dark.

In contrast, when using black paper as a base, the dark background helps create volume by building directly from the highlights and light sources of the objects.

Artwork by Marlene Rivero

Artwork by Marlene Rivero

  • Pyrrol Scarlet GOUACHE

    Gouache rosso scarlatto pirrolo

    Disponibile in: tubetti da 15 ml

    Pigmento: PR 254 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Colorazione media
    Trasparenza: Opaco

  • Spring Green GOUACHE

    Verde primavera, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PPY 53, PG 36, PY 151 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

  • Buff Titanium GOUACHE

    Tempera al titanio brunito

    Disponibile in: tubetti da 15 ml

    Pigmento: PW 6:1 | Serie: 1
    Resistenza alla luce: Eccellente
    Colorazione: Non macchiante
    Trasparenza: Opaco

  • Cobalt Teal Blue GOUACHE

    Tempera blu cobalto-verde acqua

    Disponibile in: tubetti da 15 ml

    Pigmento: PG 50 | Serie: 2
    Resistenza alla luce: Eccellente
    Colorazione: Non macchiante
    Trasparenza: Opaco

Combining Gouache Opacity with Transparent Watercolor

Combining gouache with transparent watercolor passages allows for enhanced depth, dimension, and atmosphere:

  • Balance This document presents translated responses regarding techniques and creative methods for working with (gouache), transparent watercolor, black and white paper bases, and mixed media.
  • Light: It complements textures and transparencies, giving the painting breathing room while preserving light.
  • Structure: Gouache acts as an added boost, adding body, weight, and strength to the composition wherever it is needed.

Creative Combinations and Favorite Mixed Media

Regarding creative ways to combine gouache with other media, one of my absolute favorite combinations is layering watercolor + gouache  + soft pastels to achieve rich textures and multi-layered effects.

What first attracted you to DANIEL SMITH Gouache?

The opacity, the coverage the paint provides, its stability on the paper, and its permanence. The tones are very vibrant, not to mention the huge color range.

Artwork by Fernando de Paiva

  • Cadmium Red Medium Hue GOUACHE

    Gouache rosso cadmio tonalità media

    Disponibile in: tubetti da 15 ml

    Pigmento: PY 53, PR 254 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

  • Pyrrol Orange GOUACHE

    Gouache all'arancio pirrolo

    Disponibile in: tubetti da 15 ml

    Pigmento: PO 73 | Serie: 2
    Resistenza alla luce: Molto bene
    Colorazione: Colorazione media
    Trasparenza: Opaco

  • Wisteria GOUACHE

    Glicine, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PW 6, PR 122 | Serie: 2
    Resistenza alla luce: Molto bene
    Colorazione: Non macchiante
    Trasparenza: Opaco

Artwork by Fernando de Paiva

How does this change the way you approach color?

I have more freedom to experiment without worry, and it saves me time; the range of color mixing becomes much broader.

What can you achieve with it that you find difficult in other media?

Gouache offers great corrective power and many possibilities because I can use it either translucently or fully opaque—or combine both approaches.

Artwork by Fernando de Paiva

Artwork by Fernando de Paiva

Are there any specific colors you keep wishing for?

Yes, I think a salmon-like shade and something a bit lighter than lavender would be amazing.

How do you incorporate gouache into your current practice?

I use it constantly—on a weekly basis—on various surfaces. I’m fascinated by its versatility; I use it on black paper, kraft paper, toned paper, 100% cotton paper, and paper with a weight lower than 300gsm.

Artwork by Fernando de Paiva

Artwork by Fernando de Paiva

  • Ultramarine Blue GOUACHE

    Blu oltremare, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PB 29 | Serie: 1
    Resistenza alla luce: Eccellente
    Colorazione: Colorazione media
    Trasparenza: Opaco

  • Quinacridone Magenta GOUACHE

    Gouache al magenta di chinacridone

    Disponibile in: tubetti da 15 ml

    Pigmento: PR 122 | Serie: 2
    Resistenza alla luce: Molto bene
    Colorazione: Colorazione media
    Trasparenza: Opaco

  • Pyrrol Scarlet GOUACHE

    Gouache rosso scarlatto pirrolo

    Disponibile in: tubetti da 15 ml

    Pigmento: PR 254 | Serie: 3
    Resistenza alla luce: Eccellente
    Colorazione: Colorazione media
    Trasparenza: Opaco

  • Hansa Yellow Deep GOUACHE

    Giallo Hansa intenso, tempera

    Disponibile in: tubetti da 15 ml

    Pigmento: PY 65 | Serie: 1
    Resistenza alla luce: Molto bene
    Colorazione: Bassa colorazione
    Trasparenza: Opaco

Ready to discover what makes DANIEL SMITH Gouache unique?

With its rich, highly pigmented color, velvety opaque finish, and versatility to shift from delicate washes to bold, layered passages, it gives artists the freedom to paint with both delicacy and intensity.

Pick up your brushes, explore its possibilities, and discover what this distinctive medium can bring to your own creative journey.

Begin your journey Qui.

Informazioni sugli ambasciatori del marchio

Marlene Rivero

Marlene Rivero

Marlene Estefania Rivero Ramirez is a watercolor artist based in Cuernavaca, Mexico, known for her expressive floral and botanical paintings. She has been painting since the age of 16 and now dedicates herself fully to her artistic career. Through luminous washes and organic forms, her work celebrates nature and the beauty of everyday life. What inspires her most is sharing the joy of living through painting and encouraging others to explore and nurture their own creative voices.

Fernando de Paiva

Fernando de Paiva

Fernando de Paiva is an illustrator and tattoo artist in Brazil who creates exclusive designs, often simulating the look of watercolor on his clients’ skin. He is a former painting professor at the Federal University of Rio Grande do Norte, and a member of GUAP, a local watercolor and pastel group.