Sarah Graham came to us LIVE from the USA on Friday, September 16th to share her favorite techniques and color palette.

Here’s a quick Q&A with Sarah:

Perché fai arte? 
I make art primarily for two purposes – first, because it’s like diet and exercise. It’s just one of those things that I need to be a healthy and whole person, and that fills me up in ways that help me give back to my family and those around me.  Second, because art is a language, and I use this visual language to remind myself of the deeper life lessons I’m learning and to share that wealth with others who also find life from visual languages.

Da quanto tempo dipingi?  
I’ve been painting and drawing almost since before I can remember. My mom introduced me to watercolors in grade school, and the rest is history.

Hai seguito un corso di formazione artistica formale? 
I don’t have formal training in the watercolor media, but I do have an art degree. I attribute the integrity of my watercolor work to the language and principles of art  that my professors taught me in school.

Sei un artista professionista o un semplice appassionato? 
I am a working artist represented by a local gallery, but I would need to paint with or without a professional label or motivation.

Cosa ti ispira?
I am always painting with my eyes – studying shadows and colors and the way their shapes work together to make forms and atmospheres. Right now, I love to study shadows and the concept of nooks of rest and refuge that they create. I also simply find inspiration in the personality of the watercolor medium. It’s wild and un-tameable in many ways like life is, but with the right set of eyes and the willingness to work with it, you can take a hot mess and bring order and life to it. I love that.

Che tipo di musica ascolti mentre dipingi?
I don’t often listen to music while painting. Since music is another art form and language in and of itself, I can find it distracting.

Hai mai avuto un mentore? 
No, I haven’t ever had a formal mentor, but I had very good counsel from my professors in college that I still refer to, and I love to watch other artists whom I admire, living and historical.

Dipingi tutti i giorni? 
No, not in this season with young children. I paint once or twice a week right now, but I expect to gradually work into more studio time as my family grows into new seasons.

Dipingi un'opera alla volta o lavori su più opere contemporaneamente? 
I never used to work on multiple pieces at once, but I do find myself doing that more often lately because it allows me to make the most efficient use of small blocks of time.

Prima create un bozzetto concettuale? 
Sometimes I do. It just depends on how complicated the piece is and if I need to think through my values or have an accurate rendering first. I do a lot of “thinking” in my sketchbooks.

Preferisci dipingere in studio o all'aria aperta? 
I definitely prefer the studio. It is much more practical for me too, because a lot of my work happens when children are sleeping and I can steal away without leaving the house.

Quanti colori principali utilizzi? 
I mostly stick to a couple versions of each primary. Not more than a handful of colors. I find too many colors just confuses me, and you can do just about anything with a few primaries that you know well.

Tubi, padelle o bastoncini? 
I prefer tubes, but I have a small pan set that I keep in a pencil case with some travel brushes, and I will use that for sketching away from my studio.

How do you know when a piece is finished?
I don’t know if I can give a step by step answer for this one because for me, I just have to feel that it’s right. I try to balance a certain standard I want to achieve with an understanding that not every piece will be a masterpiece and none will be perfect. It is important to be willing to move on to new paintings, because the more I paint, the better painter I become. It’s better for me to continue to paint at a reasonable quality and at the end of the year to have learned enough to be a better painter, than it is to have produced one masterpiece and learned very little.

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Unisciti a noi online ogni settimana per una conversazione intima e personale con John Cogley, CEO e proprietario di Daniel Smith, e artisti ospiti provenienti da tutto il mondo. Il giovedì (ore 14:00, Pacifico), John illustra le diverse caratteristiche dei nostri prodotti e risponde alle vostre domande. Il venerdì (ore 10:30, Pacifico), un artista ospite approfondisce l'argomento e condivide come integra queste caratteristiche nelle sue opere. clicca qui per i link Zoom della prossima settimana.

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